The best moments come from one of the least significant storylines - Judith running a kiddie card game like she’s a little Tony Soprano in training. But I fear the road to redemption and forgiveness is going to be about 20 more episodes long. Hopefully this mission leads to an uneasy but stable alliance. Still, these two need to either bury the hatchet, figuratively or literally. It’s a not-too-subtle reminder of the trauma she’s still carrying, and in a show built on implausible premises, quick forgiveness on Maggie’s part would be a narrative sin of the highest order. After he whacks a zombie, Maggie can’t help but stare at the blood-soaked crowbar in his hand. With the decision to leave Alden behind in the church to presumably slowly bleed out and turn, it’s now just Mags and Negs. This is understandable, of course, but how many withering stares and “you ain’t one of us” zingers can Maggie and the others deliver? The answer, apparently, is plenty more.
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Much deeper distrust runs between Maggie and Negan, and the two exchange more unpleasantries while (slowly) escorting Alden. Magna gives Carol a quiet but firm lecture about getting Kelly’s hopes up too high when it comes to her missing sister (remember Connie?). Trust among the human folk isn’t as easy to come by. Animal sacrifice might go down as her most ruthless deed yet (and Carol killed a kid once). They don’t need a heavy hand they need love, people! Well, that is until Carol quietly leads one of the horsies away to die by her cold hand. Here’s where Magna’s trust speech comes in handy - Kelly drops her lasso and nuzzles one. Even luckier, they’re headed straight for a farm, where even the lamest city-slicker ranch hand could wrangle a wild stallion. Her search party finds some of their missing steeds torn to shreds, but as luck would have it, they soon stumble across a few more galloping by. She always has a reason for her obstinance, so Aaron wastes no time pulling the ace card in arguing for her to abandon her plan: Remember Buttons! But Carol won’t be deterred, despite the fact that she admits she’s no good at horse wrangling (however, she knows a magic mushroom when she sees it). Negan has to drag her away from trying to prevent the already-doomed Agatha from becoming a main course.īack at A-town, Carol is busy Caroling, blowing off her shift on wall repair to go chase horses. While Mags didn’t mind sacrificing Gage for the greater good, she’s lost too many people she genuinely cares about today. Cool.” Unfortunately for Maggie, it’s another one of her people, Agatha, who suffers a nasty chomp to the arm. Negan goes along to get along and stay alive and delivers the line of the night when they hear a woman outside, shrieking in the distance: “So we’re going to go toward the screaming. So it’s on to the supply stash house in hopes the others will meet them there. This plan of hers, Maggie admits, is shit, but she’s all out of ideas. Alden and Negan lend a hand as she fends off more Reapers, and the skirmish ends with Alden suffering a nasty gut shot. Meanwhile, Maggie is alone in a mall - or so she thought. Judging by this exchange and what Negan finds later - a crispy walker tied to a stake beneath a sign that reads “Judas” - there’s a religious angle to the Reapers (y’know, probably some New Testament-y “reap what you sow” deal). “God isn’t here anymore,” says the G-man, just before sinking his blade into the Reaper’s head. All alone, Gabe finds an injured Reap on the roadside who starts Bible-thumpin’: “We have been blessed … will you pray for me?” Dude obviously picked the wrong priest for last rites. The Reapers also succeed in the time-honored TWD tradition of scattering the group. It means a lot to Mags, but for us, these are low-stake exits. Same for the big man best known for his massive guns and piggy-back rides - that’s Duncan, and he gets carved up like a Christmas ham. If I showed you Cole’s headshot, could you name him without multiple-choice options? I probably couldn’t. There’s a death, but it’s Cole from Maggie’s posse.
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The opening sequence sets the tone for feeling like we’ve seen this movie before: Maggie’s terrified, a new threat in the form of the Reapers has the upper hand, and once again, the survivors are, well, in survival mode.
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And despite a few tender moments amidst the tense ones, there’s a certain TWD-by-numbers quality to this chapter. But sometimes, as the old theme song goes, a horse is just a horse. It’s one of those quiet conversations that occurs between bouts of zombie mayhem and the horrors of mankind, one that’s supposed to carry greater significance - an emotional weight that both resonates and instructs, suggesting a brief glimmer of hope in this otherwise miserable existence.
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About midway through this episode, Magna and Kelly talk about horses and gaining their trust.